GRAMMY®-winning artist Patti Austin brings her magnificent voice and jazzy style to classic songs from the Great American Songbook–and beyond! Together with Lawrence Loh and the Pittsburgh Symphony Orchestra, Austin will enchant you with music from Irving Berlin, George Gershwin, and Duke Ellington, plus her own hit songs “Baby, Come to Me,” “How Do You Keep the Music Playing?” and many others.
Patti Austin: Beyond the American Songbook
Patti Austin: Beyond the American Songbook
Lawrence Loh is a dynamic American conductor of impressive range and talent. He is the newly appointed inaugural music director of Symphoria, founded by former members of the Syracuse Symphony Orchestra. He also holds the position of music director of the Northeastern Pennsylvania Philharmonic. Additionally, Loh was recently named artistic director and principal conductor of the Syracuse Opera.
Since his appointment as music director of the Northeastern Pennsylvania Philharmonic in 2005, the orchestra has made its mark as an ensemble of superb musicianship, performing electrifying concerts year-round. Off the podium, Loh is very active in the region as an arts leader and music advocate. He created a very successful Apprentice Conductor Program in 2012, designed to help identify and train the next generation of young conductors.
From 2005 to 2015, Loh had a very successful association with the Pittsburgh Symphony Orchestra as assistant, associate and resident conductor. He worked closely with Music Director Manfred Honeck and conducted a wide range of concerts including classical, educational and pops. He was active in the Pittsburgh Symphony’s Community Engagement Concerts, extending the symphony’s reach into other communities and led the groundbreaking Sensory Friendly concert in 2015, one of the first of its kind. He made his debut on the main classical series conducting Handel’s Messiah in December 2008. For many years, Loh led the enormously popular Fiddlesticks Family Concert Series, playing the part of script writer, host and conductor. Upon ending his tenure with the Pittsburgh Symphony in 2015, Loh was immediately reengaged for two weeks in the 2015-16 season.
While in Pittsburgh, Loh was also music director of the Pittsburgh Youth Symphony Orchestra. He led this world-renowned orchestra in concerts at Heinz Hall and throughout the Pittsburgh community. He led PYSO on two international tours to Central Europe and Italy.
Having a particular affinity for pops programming, Loh has been engaged for repeat performances with Chris Botti, Idina Menzel, Ann Hampton Callaway, the Texas Tenors and more. He has assisted John Williams on multiple occasions, and conducted numerous sold out John Williams tribute concerts. He is particularly adept at conducting concerts synchronizing live orchestral music with film and has led Pixar in Concert, Disney in Concert, Wizard of Oz and Singin’in the Rain, among others.
Loh is active as a guest conductor, both in the U.S. and abroad. Recent engagements include the National (Washington D.C.), Knoxville, Florida, Dallas, El Paso, San Luis Obispo, Edmonton, Colorado, Charleston (SC), Detroit, Malaysia, Daejeon (South Korea) and Greater Bridgeport Orchestras. His summer appearances include the festivals of Bravo Vail Valley, Aspen (CO), Mann Center in Philadelphia, Breckenridge, Las Vegas, Hot Springs (AR), the Kinhaven Music School (VT) and the Performing Arts Institute (PA).
Loh held the positions of assistant and associate conductor of the Dallas Symphony from 2001 to 2005. He was brought to national attention in February 2004 when he stepped in to conduct on short notice for an ailing Charles Dutoit, conducting Stravinsky's Petrouchka and Berlioz's Symphonie Fantastique. Prior to his Dallas appointment, Loh was appointed by Music Director Marin Alsop to be associate conductor of the Colorado Symphony Orchestra and was also music director of the Denver Young Artists Orchestra.
In May 1998, Loh received his Artist Diploma in orchestral conducting from Yale University, earning the Eleazar de Carvalho Prize, given to the most outstanding conductor in the Yale graduating class. He received further training at the world-renowned Aspen Music Festival and School. He received his M.M. in choral conducting from Indiana University while also studying clarinet with Howard Klug and voice with Roy Samuelsen. He began the DMA program in opera and instrumental conducting at IU before transferring to Yale. His received his B.A. and Certificate of Management Studies from the University of Rochester. In 2001, Loh was the guest curator at the Denver Museum of Nature and Science for “What Makes Music?” an interactive exhibit, offering the opportunity to explore the science of music and sound, as well as the role of music in culture.
Loh was born in southern California of Korean parentage and raised in Carlisle, Pennsylvania. He and his wife Jennifer have a son, Charlie, and a daughter, Hilary. Follow him on instagram @conductorlarryloh or twitter @lawrenceloh, or visit his website lawrenceloh.com
Patti Austin’s keen interest in being a total entertainer likely started when she stepped onto the stage of the world-famous Apollo Theater in Harlem at the age of four at the urging of music legend Dinah Washington. The daughter of jazz trombonist Gordon Austin, Austin was a bonafide recording artist in her teens, achieving her first chart success in 1969 with “The Family Tree” (a Top 50 R&B single) after a string of 45s that would later become treasured collector’s items among Britain’s Northern soul community.
During the ’70s, Austin was the undisputed "Queen" of the New York session scene, her voice was heard behind everyone from Paul Simon, Cat Stevens, James Brown and Joe Cocker to Bette Midler, Roberta Flack, Luther Vandross and Diana Ross and on countless memorable commercial jingles. After a series of much-acclaimed albums for CTI Records, she signed with her godfather Quincy Jones’ Qwest label and began achieving mainstream success on an international level thanks to the Grammy®-nominated hit "Baby Come To Me," her now classic duet with James Ingram and the follow-up duet, the Oscar-nominated "How Do You Keep the Music Playing?" as well as her appearance on albums with Jones on his best-selling Stuff Like That, his Grammy®-winning classic The Dude and, later, his From Q with Love Vols. 1 & 2.
The Grammy®-nominated For Ella album opened up new doors for Austin as a performer and her embrace by the jazz world was further cemented with her Grammy-winning classic CD Avant Gershwin: Austin’s upcoming follow up to For Ella will surely garner serious Grammy consideration. Her latest critically acclaimed Pop/ R&B release entitled Sound Advice will soon yield a sequel, Sound Advice 2, and will further demonstrate her amazing artistic versatility.
In 2017, Austin continues her philanthropic work with “The Over My Shoulder Foundation” and keeps up a constant touring schedule that keeps her faithful fans wanting more from this eclectic and always exciting entertainer.